Today, we, maybe more than ever, experience nature and the natural world as something separate from us. As a photograph on a screen, located in far away places, at a distance and presented as something that is out of reach. Nature is reduced to a two-dimensional image that is just rectangular and flat. The terminology “human and nature” maintains a dichotomy, where humans are detached from nature. The way we present nature today is similar to the early landscape photography, which was developed in the mid-19th century on the West Coast of the USA. In the tradition the photographs usually depict the landscape distanced from the viewer, in a way that could be seen as idealising and romanticising nature. The tradition has left its mark on contemporary photographic art as it still presents nature as grandiose and separate from humans. The starting point for the work is a three-week road trip I made to the states of California, Nevada and Arizona at the turn of 2019–2020, where I photographed the parts of the landscape that are often left out of focus and distanced in classic landscape photography. This meant photographing the ground, the vegetation, the waves and the sky. My aim was to get closer to the experience of being in a place physically and to make works that would adapt to the overall essence of the place, which exceeds the limits of human vision. Through presence, touch and the trace of the photograph, I have reconstructed parts of the places and moments I encountered. The end result is fragmented: the landscape unfolds as a multidimensional and immersive place that is sprawling and always in motion.