Future Rust, Future Dust
B-Lounge da U.Minho – C. de Gualtar
Campus de Gualtar s/n
Monday→Friday: 8:30am–8pm
This project was born out of an observation that led to this question: why do we see so many concrete skeletons strewn along the roadsides of the main tourist destinations, often amidst idyllic landscapes?
The financial crisis of 2008 is the most recent climax of the modern world’s economic turmoil, and has spread from the United States to affect the entire world. It plunged many countries into an economic slump, with the booming — often beyond reason — construction sector as the first affected sector.
These concrete skeletons are the visible and frozen traces of this. But depending on the country, the financial crisis is not the only responsible factor: the collapse of the real estate bubble, speculation, local corruption which favors excessive construction — often illegally —, economic problems and bankruptcies are all factors still relevant today that explain the presence of these concrete skeletons in the landscape.
Spain and Greece are the symbols of this collapse and have been the subject of numerous studies by researchers and photographers. But what about other countries? To what extent have the crisis and aggravating economic factors a visibly impact on the landscape?
Through the archaeological study of modern ruins, the exploration of ghost cities, aborted tourism projects, unused infrastructures, or roads leading to nowhere, the repetition of forms and the accumulation of visited areas, this project is intended as a testimony to document the tragedies of our time.
These unfinished structures, frozen in time and space, becoming the future traces of a failing present, are witnesses to this big waste of - often public - money and ecological tragedies. These unfinished constructions are now digested by the nature which they once chased away to settle down.
Loic Vendrame
Born in 1989, geographer and self-taught photographer, I fell in love with the study of cities, their margins, and the relationships we have with our direct environment. For several years I have been using photography to study the dynamics between man and territories, focusing my research on urban, suburban and tourist landscapes, with a monographic approach in the current of the New Topographics’ movement. Through my projects I wish to offer a different vision of these everyday spaces, questioning the social, economic, political and environmental issues of the way we build our living spaces.