Museu D.Diogo de Sousa
R. dos Bombeiros Voluntários s/n
Tuesday→Sunday: 10:30am–5:30pm
New Orleans has always been a city full of extremes. At least since the destruction caused by Hurricane Katrina in 2005, people there have lived in a state of constant threat. The realistic anticipation of the next disaster is omnipresent. In addition to the storm season of the summer months, rising sea levels are causing soccer field-sized chunks of land to sink forever into the Gulf of Mexico not far from New Orleans every hour. A hotel collapsing during construction in the heart of downtown, very high murder rates, or countless videos on social media of road damage and accidents are just a few examples of a seemingly cursed, decrepit, and in many ways defective environment.
Perhaps that's why those who don't fit anywhere else in the system of America and have nothing to lose find a home there. Queerdos, as they call themselves. Travellers who wandered restlessly across the country in search of a life free of convention. Katrina created gaps that offered easily accessible shelter. Fuelled by the tolerant and warm-hearted spirit of the local urban population, a group of unique young people was able to flourish. A rebellious and unruly subculture that loves nothing more than DIY art and ecstasy. But the city is like the swamp that surrounds it: Once in it, it's hard for them to get out of it again. The migratory birds have become migrants. They have found their self-chosen community here. A nest, at least for this moment. In this place with an uncertain future, all the energy flows into the here and now.
The long term photo essay shows the clink and flicker of this magical world on the constant tipping point. It shows a life design so different from everything they left behind. It seeks the closeness of the wayward protagonists and is interested in the political in their everyday life. An everyday life full of intensity and chaos.
The collages between the photos are artistically processings created collaboratively with members of the photographed community in New Orleans as reaction to the photos.
Victoria Jung
Victoria Jung, 1991, is a german documentary and portrait photographer. She completed two bachelors and is currently studying for her master in photography. Since 2019 she has been photographing in the journalistic field for numerous magazines and newspapers. For two years she photographed her own weekly portrait column in DIE ZEIT. Her personal work focuses on social phenomena in subcultures in relation to their local environment. As well as the human quest for belonging to a community. She is interested in the political in everyday life, the struggle for one's own (free) spaces and systemic upheavals on a small scale.
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