La Vie en Rose
The exhibition “La Vie en Rose” presents a selection of circa 50 - mostly unpublished – photographs taken by Malick Sidibé in Mali's capital Bamako, in the 1960s-1970s period. Photographies fully unveiling the magic and excitement of life in Bamako in those years, when the desire to be together, of being part of history in its making seemed imperative; images which have made Sidibé world famous: the parties in the 1960's, studio portraits and a selection of photographs from his archives, which tell us a long stretch of time in the history of Mali. “I believe in the power of image and this is why I lived all my life making portraits of people in the best possible way, trying to give back to them as much beauty as I could, because life is a gift from God, and should be better lived with a smile on your face. Too often is Africa's image linked to pain, poverty, misery, but Africa is not only that, and this is what I have always wanted to depict in my images”, Malick Sidibé's words about his activity as photographer and the value of his photography within the framework of the personal and social history of his country.
“I have always had a talent for observation. I like to watch people, trying to understand them, to make a contact with them”, he says. “I am a true witness of the changes in my Country, because photography does not tell lies, at least black and white photography, which I have always done. This is why I strongly believe that my photography is much more truthful, real and direct than any word. It is simple, anyone can understand it, and it tells an epoch, without deception. Humanity has always searched for immortality in painting or poetry, in writing, but in the past only kings and the wealthy could have their portrait made. Photography is a way to live longer, even after your death.”
The reconstruction of Studio Malick accompanied this exhibition, first presented in Italy at the Collezione Maramotti, as well as a monograph dedicated to the author and published by Silvana Editoriale. The book in three languages, edited by Laura Serani and Laura Incardona, presents around one hundred images, together with the contribution by the curators of the exhibition.
At the same time Sidibé depicted the nights of Bamako and the holiday afternoons spent on the banks of the Niger river: Mali had won its independence just two years before and the Country was full of new energy and enthusiasm. News and information went around, films arrived from Europe, India and the United States, but it was mostly music that brought fast and widespread changes with it in Bamako society.
The photographer attended the parties of young people wearing western clothes and dancing to the music of record players: his photographs depicted joyful youths, full of zest for life and hopes for their future. Night clubs with exotic names were opening everywhere in town and Sidibé was invited to all big events: his fame was so great that if he could not participate, then they would change the time or even the day of the event.
In the late 1970's, Sidibé decided to focus his activity on studio portraits. After having exchanged a few words with the people to make them feel at ease, Sidibé himself would choose their pose for the sitting, succeeding in grasping the essence of their personality in just a few snaps.
In 1994, during the first edition of Rencontres de la Photographie de Bamako, his portraits were exhibited for the first time together with Seydou Keïta's works (another great author from Bamako who was about ten years his senior and died in 2001). Western authors and critics discovered their talent. Soon after that Sidibé's photographs went to Paris, at first at Fnac Etoile and later at the Fondation Cartier pour l’art contemporaine; in just a short while museums and galleries from all over the world started exhibiting his works. The author has always worked and lived until his death April 14, 2016 in Bamako.
In 2007 the Venice Biennale honored him with the Golden Lion for the career, awarded for the first time to a photographer. In 2003 he won the Hasselblad Prize in Sweden, in 2008 the ICP Award in New York, in 2009 the prize PhotoEspaña-Baume & Mercier in Madrid and the World Press Photo for the Arts and Entertainment Section in Amsterdam. Many publications and books on his work have been printed in Europe, the United States and Africa, including a Photopoche (coll. Delpire/Actes Sud, Paris), “La Vie en Rose” (Silvana Editoriale, Milan), Malick Sidibé (Scalo, Zurich) and Malick Sidibé (Fondation Zinsou, Cotonou).
Place of Exhibition
Museu da Imagem
More information soon.