In Hadar Going Nowhere
Daniel Rolider
In the Hadar neighborhood of Haifa, in old houses that are now only remnants of a golden age that has long passed, lives a community of Eritrean asylum seekers. Between 500 and 700 Eritreans live in Hadar, one of Haifa’s poorest neighborhoods, out of approximately 21,000 currently living throughout Israel. They live below the radar without basic rights, such as access to healthcare and welfare services, in an endless limbo. On the one hand, Israel cannot deport them due to international laws that grant protection to individuals who meet the consensus definition of a “refugee”. On the other hand, the government has not been approving asylum applications for Eritreans. By combining documentary photography with written dialogue from men and women, single and married, from the Hadar community of Eritrean asylum seekers, this project sheds light on the harsh reality that they have been forced into, as well as the reality they created for themselves. Most asylum seekers in Israel crossed the Egyptian border between 2007 and 2012 and arrived in the “Promised Land” after fleeing a dictatorial regime that denies its citizens basic human rights. However, even years after leaving their homeland in East Africa, many Eritreans were afraid to openly expose themselves and their story. While they fear the reaction of their family and community, their main concern is the physical and economic harm that the Eritrean government might impose on their loved ones who were left behind. According to sources in the Hadar community, their government continues to track its citizens’ activities abroad to ensure they are not damaging its international image or empowering its opponents. To ensure their safety and form a platform for self-expression, the photos were printed and given to those photographed. While some chose to write their thoughts, feelings, and messages on the pictures, others decided to paint their faces - and hide their identities.
location
→ Galeria do Paço da UMinho (Braga)
schedule
→ Monday to Saturday: 10am - 6pm
→ Sundays: Closed
Daniel Rolider
Daniel Rolider is a photojournalist and visual storyteller whose work focuses on environmental and social issues. Born and raised in Kiryat Tivon, Israel, he began his career after completing his mandatory military service as a marine mechanic in the Israeli Navy, and has since worked for the New York Times, Getty Images, ESPN, and Stern. His work has been published in the Washington Post, the Wall Street Journal, Libération, Der Spiegel, UNHCR, and Haaretz, and has been exhibited in museums and galleries in Israel, the US, China, France, and Greece. In 2019, Rolider attended the Eddie Adams workshop and graduated from ICP's Documentary program. During his studies, he produced a long-term project about the carriage horses of NYC, which was published in National Geographic, awarded in the PDN Photo Annual and PX3, and shortlisted for the Alexia Foundation Student Grant. A year later, Rolider was nominated for the Joop Swart Masterclass, shortly before finishing a three-year project on the agriculture of Lanzarote, the Canary Islands, which was developed into a photo essay for the Smithsonian Magazine. In 2021, Rolider started working on a story about Eritrean asylum seekers in Hadar, one of the poorest neighborhoods of Haifa. He worked on this story in collaboration with the Haifa Museum while covering the protests against Israel's former Prime Minister Benjamin Netanyahu, the riots in Sheikh Jarrah, and the outbreak of violence between Jewish and Arab Israelis in May.
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