The Truth is in the Soil is a 5-year exploration of grief as an elegy to her father and the dying tradition of mourning in Greece. After her personal loss, Sakellaraki’s own grieving process became the lens through which she investigates the collective mourning in Greek society, the intersection of ancestral rituals, private trauma and the passage of time. Further inspired by the last communities of mourners on the Mani Peninsula of Greece as the doyennes of a dying tradition, the work incorporates a new kind of subjectivity, intimacy, and criticism, exploring mortuary rituals as a way of humans adapting to death. To her, these images work as vehicles for mourning perished ideals of vitality, prosperity and belonging, attempting to tell something further than their subjects by creating a space where death can exist. Through both manual and digital processes, she adds layers to what has been documented as real, rerouting the viewer through existing and imaginary spaces. Silhouettes of mourners gazing at mountain ranges appear weathered, time-worn and fragile with cracks and damage, whilst other images are cut-out, marked and reassembled, melding past with present. There is a versality throughout the imagery, shifting from black and white to colour, the abstract to the figurative. Finally, Sakellaraki’s work acts as a visual representation of the gradual and irreversible loss of the departed in the mind of the living, and simultaneous reconstruction of memories.