September 23rd to 31st October
The Fitting series represents a continuation of our never ending fascination with everyday objects, in this case replacing functional parts of different types of furniture with objects that emulate the original shape or that mimic the expression in terms of color and texture. The aim was to add a sense of transience to these sturdy and solid entities; creating meetings between the natural and the manmade, juxtapositions of perishable objects and furniture created to last. Elements of destruction and surprise play an important part conceptually adding tension to these object hybrids.
PUTPUT was established in 2011 by Stefan Friedli (CH) and Ulrik Martin Larsen (DK) and is currently based in Copenhagen, PUTPUT is the visual and conceptual meeting of two minds, a collaboration in thought and practice. Neatly placed between input and output navigating the increasingly busy intersection where photography, sculpture and design meet. A shared and deeply rooted fascination of metaphysical relationships connected to everyday objects guides and perpetuates the work. A humoristic undercurrent runs through the reduced, ambiguous and profoundly superficial visual universe that defines PUTPUT. Playful constructions, transient in their nature, transform the ordinary into the extraordinary. Ideas, concepts and the notion of creating fictional but recognizable object typologies are at the very core of the artistic practice. The highly stylized visual universe has references to Pop Art, surrealism and reinterprets classical genres such as still life through a contemporary lens. Undertake a meticulous interrogation and research of our immediate surroundings through ideas and concepts to purposely build connections between meaning, expression and artifact; reinventing and reconfiguring the context and expression of objects leads to new questions that beg to be answered through the objects and images themselves. PUTPUT sets out to create self-explanatory images that challenge perception through juxtapositions of objects, both manmade and natural in the hope that the viewer might look twice…or more and to maybe upon that second glance discover something unexpected or unseen.