This series is a collection questioning architecture in tension between villages and towns, accurately repeating an adjusted framework which forces our captive look to circulate within and to read all its details.

The recurring motif of the net -dark green- and the canvas, and the use of some signs and texts (among others ‘for sale’ expressed in all its possible forms) are telling us that we are dealing with today. And one feels an evident urgency in this approach which talks of a world, of an architecture, in short, of a way of life and a culture that are disappearing.

Many Galician rural villages have become ghosts whose façades are the only thing left, façades which could look like a movie setting, and behind them nature and vegetation recover their rights. It is through ruined windows where we can see trees and plants.

Manuel Sendon

Born in Coruña, Spain, 1951. He lives in Vigo. Graduated in Mathematics and PhD in Belas-Artes. He teaches at Faculdade de Belas-Artes de Pontevedra. With X. L. Suarez Canal he coordinates the Centre of Estudos Fotográficos and they are the commissioners of Fotobienal de Vigo, Vigovisións, Madrid Mirada, Virxilio Vieitez, Pano de Fond. He has been making individual exhibitions since 1983 at Vigo (Museo do Mar, Adhoc, Fundación Barrié), A Coruña (Kiosko Alfonso), Santiago (Pazo Fonseca, Museo do Pobo Galego, Casa da Parra, C5, A Chocolataría), Braga (Encontros Internacionais da Imagem and Museu da Imagem), Newcastle (Side Gallery), Caracas (Museo de Arte Contemporáneo Sofía Imber), México D.F. (Museo Ciudad de México), Salvador de Baia (Conjunto Cultural da Caixa)… he has published the books: Paisaxes (1991); Cuspindo a Barlovento(2003); Casas Doentes (2007) and Derradeira Sesión (2009).